Is there a more iconic line in horror theatre history? I don’t think there is. Nor could there ever be.

Adapted for the stage by Stephen Mallatratt from the novel by Susan Hill, The Woman in Black transcends time. What started out as a Christmas ghost story in the late eighties has now become a global phenomenon, terrifying and mesmerising audiences here, there and everywhere for nearly forty years.

Tonight, it was Bradford’s turn to meet the woman – and by the looks of it, she’s as bloodthirsty as ever.